Two clips can produce a shorter file even when neither clip has a fade enabled. Before blaming an export bug, check whether the joiner removed silence around the boundary.
I'm Alex from the Creatune team. On October 22, 2026, I tested the logged-out Audio Joiner with two synthetic WAV files that I created. I downloaded both outputs and measured their frame counts. This is a duration check, not a listening evaluation or a test of every possible source format.
Build a fixture with a known gap
Each file below is four seconds long: one second of digital silence, two seconds of tone, and one more second of silence. A uses 440 Hz; B uses 660 Hz. Neither contains someone's recording or voice.
import math, struct, wave
rate = 44100
for name, frequency in [('clip-a.wav', 440), ('clip-b.wav', 660)]:
with wave.open(name, 'wb') as w:
w.setparams((1, 2, rate, 0, 'NONE', 'not compressed'))
data = bytearray()
for n in range(4 * rate):
sample = round(6000 * math.sin(2 * math.pi * frequency * n / rate)) if rate <= n < 3 * rate else 0
data.extend(struct.pack('<h', sample))
w.writeframes(data)
A direct A-then-B join has eight seconds in total. Its middle contains two seconds of silence: A's trailing second followed by B's leading second. The outer silence is a separate part of the fixture.
Export a baseline before changing one control
Open Creatune Audio Joiner, choose the two files, and keep A before B. Leave each Start at 0 and End at 4. Keep Fade in and Fade out disabled on both clips, and leave Trim silence at joins unchecked. Choose WAV and download the baseline.
Now enable only Trim silence at joins. Leave order, start/end values, fades and output format unchanged. The interface displayed a total of 0:06.0. Download this second version under a different filename.
Measure the files rather than the rounded label
import wave
for name in ['join-untrimmed.wav', 'join-trimmed.wav']:
with wave.open(name, 'rb') as w:
print(name, w.getnframes(), w.getframerate(),
w.getnchannels(), w.getnframes() / w.getframerate())
For my two downloaded files, the measurements were:
| Version | Frames | Sample rate | Channels | Seconds |
|---|---|---|---|---|
| Trimming off | 352800 | 44100 | 2 | 8.000000 |
| Trimming on | 265481 | 44100 | 2 | 6.019977 |
The inputs were mono; both exported WAV files were stereo. That channel change is another reason to inspect the saved file instead of assuming the input properties survived unchanged.
The trimmed output was about 1.980 seconds shorter. It was not exactly six seconds, although the interface rounded to 0:06.0. This experiment establishes that duration changed when that one checkbox changed. It does not establish the internal silence threshold or guarantee identical behavior for noise, reverberation or compressed sources.
Why this is different from a crossfade
Silence trimming removes material judged to be silent near a join. A crossfade overlaps the ending of one clip with the beginning of the next while their levels change. Both can shorten a timeline; the causes are different.
The page explains that a crossfade uses Fade out on one clip and Fade in on the next. Those controls stayed off in this experiment. If both trimming and fades are enabled in a real project, disable them separately in copies to identify which change affects the result.
For a music reel, do not assume that every quiet interval is disposable. A breath, deliberate pause or reverb tail can be part of the timing. Save an untrimmed baseline, compare the actual join at a comfortable level, and choose the version that serves the edit. I did not perform that listening comparison here.
Related workflows from our team
- Planning four clips as one audition reel (Japanese) explains the order and purpose of the clips before you change their boundaries.
- How to Give an Unfinished Song a Clear Musical Ending (English) helps distinguish an intended musical ending from simply shortening a file.













